Abstract
This end of degree project examines the evolution of concert
etiquette in the 19th century, paying special attention to its social, spatial and
cultural dimensions. The study analyses the transformation of musical spaces,
from aristocratic salons to public concerts and grand opera houses, to
demonstrate how music became a vehicle for social representation, moral
discipline and cultural distinction.
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Universidad Rey Juan Carlos
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Trabajo Fin de Grado leído en la Universidad Rey Juan Carlos en el curso académico 2025/2026. Directores/as: Gijs Versteegen



