“The 15 Players' Tantrum” Social Networks and Women's Football through the Documentary #SeAcabó: Diario de las campeonas
| dc.contributor.author | Dueñas Mohedas, Sonia | |
| dc.contributor.author | Martínez Pérez, Natalia | |
| dc.contributor.author | Cuenca Orellana, Nerea | |
| dc.date.accessioned | 2025-04-23T11:05:55Z | |
| dc.date.available | 2025-04-23T11:05:55Z | |
| dc.date.issued | 2025-04-12 | |
| dc.description.abstract | The non-consensual kiss between the former president of the RFEF, Luis Rubiales, and the footballer Jennifer Hermoso during the World Cup'23 triggered the #SeAcabó movement on social networks, thereby bringing to light the influence peddling and sexist practices hidden behind women's sport. The impact of these events was subsequently covered by both national and international media. From the perspective of cultural and gender studies, this article analyses the documentary #SeAcabó: Diario de las campeonas (Joanna Pardos, 2024) to study the obstacles and prejudices faced by women in the world of football during their professionalisation. El beso no consentido entre el expresidente de la RFEF, Luis Rubiales, y la futbolista Jennifer Hermoso durante la Copa Mundial’23 activó el movimiento #SeAcabó en las redes sociales. Esto acabó destapando el tráfico de influencias y prácticas sexistas que se esconden tras el deporte femenino y cuyo impacto fue recogido por los medios de comunicación nacionales e internacionales. Desde los estudios culturales y de género, este artículo analiza el documental #SeAcabó: Diario de las campeonas (Joanna Pardos, 2024) para estudiar los obstáculos y prejuicios a los que se enfrentan las mujeres en el mundo del fútbol en su profesionalización. | |
| dc.identifier.citation | Dueñas Mohedas, S., Martínez Pérez, N., & Cuenca Orellana, N. (2025). “The 15 Players’ Tantrum”: Social Networks and Women’s Football through the Documentary #SeAcabó: Diario de las campeonas. VISUAL REVIEW. International Visual Culture Review Revista Internacional De Cultura Visual, 17(2), 217–227. https://doi.org/10.62161/revvisual.v17.5761 | |
| dc.identifier.doi | https://doi.org/10.62161/revvisual.v17.5761 | |
| dc.identifier.issn | 2695-9631 | |
| dc.identifier.uri | https://hdl.handle.net/10115/83837 | |
| dc.language.iso | en | |
| dc.publisher | VisualCOM Scientific Publications | |
| dc.rights | Attribution-NoDerivatives 4.0 International | en |
| dc.rights.accessRights | info:eu-repo/semantics/openAccess | |
| dc.rights.uri | http://creativecommons.org/licenses/by-nd/4.0/ | |
| dc.subject | Women's football | |
| dc.subject | Social media | |
| dc.subject | #SeAcabó | |
| dc.subject | Gender studies | |
| dc.subject | Documentary | |
| dc.subject | Feminism | |
| dc.subject | Spanish Women's National Football Team | |
| dc.title | “The 15 Players' Tantrum” Social Networks and Women's Football through the Documentary #SeAcabó: Diario de las campeonas | |
| dc.type | Article |