El eterno femenino: los nuevos determinismos en la danza escénica y la injusticia epistémica

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dc.contributor.authorAbad Carlés, Ana
dc.date.accessioned2025-07-17T11:30:18Z
dc.date.available2025-07-17T11:30:18Z
dc.date.issued2015
dc.description.abstractIn later years, the absence of women in power and creation posts in the dance world has been explained in ways that do not always reflect the historical truth behind our artistic heritage. In this chapter, by using Miranda Fricker's theory on Epistemic Injustice, I will try to elicit some of the reasons why new discourses have been created in order to explain women's disappearance from power and creation roles.
dc.identifier.citationAbad Carlés, A. (2015). El eterno femenino: los nuevos determinismos en la danza escénica y la injusticia epistémica, en Carozzi, M.J., Escribir las danzas - Coreografías de las ciencias sociales, Buenos Aires: Gorla, pp. 177-207.
dc.identifier.isbn978-987-1444-34-2
dc.identifier.urihttps://hdl.handle.net/10115/93177
dc.language.isoes
dc.publisherEditorial Gorla
dc.rights.accessRightsinfo:eu-repo/semantics/closedAccess
dc.subjectInjusticia epistémica
dc.subjectFeminismo
dc.subjectBallet
dc.titleEl eterno femenino: los nuevos determinismos en la danza escénica y la injusticia epistémica
dc.typeBook chapter

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In later years, the absence of women in power and creation posts in the dance world has been explained in ways that do not always reflect the historical truth behind our artistic heritage. In this chapter, by using Miranda Fricker's theory on Epistemic Injustice, I will try to elicit some of the reasons why new discourses have been created in order to explain women's disappearance from power and creation roles.
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