El eterno femenino: los nuevos determinismos en la danza escénica y la injusticia epistémica

dc.contributor.author	Abad Carlés, Ana
dc.date.accessioned	2025-07-17T11:30:18Z
dc.date.available	2025-07-17T11:30:18Z
dc.date.issued	2015
dc.description.abstract	In later years, the absence of women in power and creation posts in the dance world has been explained in ways that do not always reflect the historical truth behind our artistic heritage. In this chapter, by using Miranda Fricker's theory on Epistemic Injustice, I will try to elicit some of the reasons why new discourses have been created in order to explain women's disappearance from power and creation roles.
dc.identifier.citation	Abad Carlés, A. (2015). El eterno femenino: los nuevos determinismos en la danza escénica y la injusticia epistémica, en Carozzi, M.J., Escribir las danzas - Coreografías de las ciencias sociales, Buenos Aires: Gorla, pp. 177-207.
dc.identifier.isbn	978-987-1444-34-2
dc.identifier.uri	https://hdl.handle.net/10115/93177
dc.language.iso	es
dc.publisher	Editorial Gorla
dc.rights.accessRights	info:eu-repo/semantics/closedAccess
dc.subject	Injusticia epistémica
dc.subject	Feminismo
dc.subject	Ballet
dc.title	El eterno femenino: los nuevos determinismos en la danza escénica y la injusticia epistémica
dc.type	Book chapter

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Description:: In later years, the absence of women in power and creation posts in the dance world has been explained in ways that do not always reflect the historical truth behind our artistic heritage. In this chapter, by using Miranda Fricker's theory on Epistemic Injustice, I will try to elicit some of the reasons why new discourses have been created in order to explain women's disappearance from power and creation roles.

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