Mission Impossible: Guernica. The Battle for the Interpretation of Picasso’s Work during the Cold War

dc.contributor.authorOrtiz-Echague, Javier
dc.date.accessioned2024-01-30T11:18:01Z
dc.date.available2024-01-30T11:18:01Z
dc.date.issued2022-01-01
dc.description.abstractDuring the Cold War Picasso’s Guernica was on loan at the Museum of Modern Art in New York. Throughout this period, its interpretation was the subject of much debate. The museum was interested in situating the painting within its own narrative of twentieth-century art history, while, at the same time, the painting functioned as an icon in contemporary political struggles in the form of reproductions and pictorial versions. This article reviews some of these contradictory positions towards Picasso’s work during this intense “battle for the interpretation”.es
dc.identifier.citationArt in Translation, 14:2, 2022, pp. 1-22. DOI :es
dc.identifier.doi10.1080/17561310.2022.2096347es
dc.identifier.issn17561310
dc.identifier.urihttps://hdl.handle.net/10115/29230
dc.language.isoenges
dc.publisherTaylor & Francises
dc.rights.accessRightsinfo:eu-repo/semantics/restrictedAccesses
dc.subjectguernica, picasso, pop art, equipo crónica, art and activism, art and politics, propagandaes
dc.titleMission Impossible: Guernica. The Battle for the Interpretation of Picasso’s Work during the Cold Wares
dc.typeinfo:eu-repo/semantics/articlees

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